The 1940s were the peak of the Golden Era of Cinema. Iconic films like Casablanca, Citizen Kane, The Maltese Falcon and It’s a Wonderful Life filled theaters with larger than life characters created by legendary filmmakers.
In Sydney, tucked inside the art deco Paramount House building that served as Paramount Pictures’ 1940 Oceania headquarters, was a basement screening room where executives got their first glimpse of many of these groundbreaking films. It is this venue so rich in cinematic history that will once again showcase cutting-edge films as The Sydney World Film Festival begins a new era in 2018.
The Sydney World Film Festival was launched in 2015 as an online film festival. The online environment and the technology that made it possible was critical to the success of myriad filmmakers whose works would probably never have been screened at conventional festivals.
Having a film selected at Sydney Festival was about industry prestige since the format only allowed private screenings for an international jury. Beginning in 2018, this distinguished festival enters a new era as its first brick-and-mortar event is held at the Golden Age Cinema. Free and open to the public for the first time, this venue will allow filmmakers to witness the impact their films on a live audience.
The festival aims to introduce quality, non-mainstream films from global filmmakers. Previous highlights include filmmakers such as Marina Stepanska, Sona Moghaddam, Dimitris Katsimiris, Luca Leoni, Yoav Tal, Asa Eitan, Or Kan tor, Pia Lauritz, Lemuel Lorca, Juan Sebastián Martínez Mora, Zheng Laizhi, Abbas Sendi, Rosa von Praunheim, Elvis Lu, Latifa Said, Lourdes Sandoval, Vladimir Beldian, Sugandha Garg, Tamara Vittoz, Lucia Lalor, André Marques, Cristina Lladosa, Joaquín Vallet, Levente Kölcsey, Christian Calon, Darko Vukić, Vojtěch Domlátil, Magda Fernandez, and more!
Inspired by the grand screening rooms of the past and born of today’s interconnected world, the 2018 Sydney World Film Festival will serve as a showcase for the work of cinema masters as well as rising talents. We are thrilled to offer filmmakers this fantastic opportunity.
The Sydney World Film Festival accept all forms and genres. All non-English language films must be subtitled in English. Entry does not guarantee acceptance into the festival. Submissions WILL NOT be returned. We also accept submissions that have premiered elsewhere and that may have distribution agreements already in place. However, TV, theatrical, online video, other festival, or other distribution outlets that run concurrently or in the same month of the festival may not be eligible for screening. Rough cuts and incomplete projects are not accepted. Multiple entries are allowed, however a separate entry form must be submitted for each. The festival has the capability to screen BluRay and DVD.
Go to our FilmFreeway listing to enter your film.
EXHIBITION & SCREENING
Screenings are scheduled during the Festival at the discretion of the Sydney World Film Festival. Whilst every effort will be made to adhere to the published schedule, Sydney World Film Festival reserves the right to make changes at any time for any reason. Sydney World Film Festival will not be liable for any costs claimed as a result of a change in scheduling. No film may be withdrawn from the festival program after its selection. If chosen as an official selection, Sydney World Film Festival is granted the permission to exhibit the film at the Sydney World Film Festival and all associated screenings. Location and timing of any screenings of the film shall be the sole decision of the organizers of the Sydney World Film Festival. Filmmakers will be solely responsible for all costs resulting from the submission of the film to the Festival including but not limited to postage or insurance of the film, and expenses of your staff or any representatives of the film. Producer will indemnify the organizers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.
LOSS OR DAMAGE
Although every precaution will be taken to prevent loss or damage to materials while in the possession of the festival, The Sydney World Film Festival is not responsible should any materials be damaged while in transit to or from, or while in the possession of the festival.
The filmmaker holds the Sydney World Film Festival, its management, juries, subsidiaries, agents, sponsors, affiliates, and etc. harmless from any and all claims of liability resulting from entry. The filmmaker certifies to have full rights. Producer will indemnify the organizers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.
The festival does not offer screening fees for its films. By submitting through FilmFreeway you are agreeing to NOT request a screening fee as a requirement for your film's participation in the festival, should your film get selected for the program.
Since the festival only requires a nominal entry fee, we will NOT accept requests for other entry fee waivers.
Sydney World Film Festival
Suite 3, Level 27
Governor Macquarie Tower
1 Farrer Place
Sydney NSW 2000